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Using descriptive, emotional language to arouse

Francis

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I have not seen much on this topic, but it seems to be an old school concept, perhaps tangentially related to NLP. It seems @Teevster can get descriptive about sensations in his gambits, so perhaps it is partly inspired by the school of thought. I am not quite ready for Riker.

Basically the idea is to use overly descriptive, flowery language to describe sensations, senses, feelings, etc.

@James Cruse mentioned JD Fuentes' book the Sexual Key in the classic seduction books thread. I do not see other mentions of this guy here. More from James on this:


I haven't delved much into the book yet, but it starts by acknowledging Milton Erickson, Richard Bandler & John Grinder, and Ross Jeffries for applying NLP to seduction. Then he claims women process language with both sides of the brain.

Franco's books from around that time also feature this concept heavily. He actually wrote that he couldn't stop laughing while writing some examples because of how ridiculous and even aggrivating it can sound to a man. So it makes sense that guys may find it unnatural and forget about employing it. But he claims it's extremely effective.

Has this technique been lost to time? We're talking two decades now, after all.

***

@Chase are there any articles on using language bordering on "purple prose" to arouse? (Romantic dates can still pull, right?)

Is anyone else here consciously using this?

I must admit, when I think of an archetypical seducer in the classic sense, it is a silver-tongued Don Juan speaking about the sunset, handing a girl a rose he had just picked.

 

Chad Tyrone

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are there any articles on using language bordering on "purple prose" to arouse?
 

Toby2030

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I used quite some time to make it a part of my communication style. I've learned a lot of the basics and are doing a lot of it unconciously now but there's still a lot to learn.

There's multiple layers to this but the core is creating positive emotions and linking them to you. You can start with some of the basics such as:
- Adding energy and enthusiasm to how you speak
- Using more pacing and pausing in your speech
- Using more adjectives and adverbs in your speech to stimulate their emotions and imagination.
- Move, motion, gesture and accentuate what you are saying in order to be more compelling as a speaker and to get even more attention from your listener or audience
- Embedded commands
- Linking positive emotions to yourself, and negative emotions away from yourself. A good start is pointing/gesturing away from yourself when talking about something negative, and doing the opposite when talking about positive emotions.
and much more

It's just important to make all of this natural in the conversation, otherwise it will be very weird.

Then it's all about moving into topics that benefit seduction. IMO one of the really cool things about Rikers framework.
1. Start on any subject and use the strategies
2 Move towards subjects that are more fun, positive, and interesting
3. Move towards subjects that engage her emotions and imagination in a positive way
4. Move towards romatic, fascinating or seductive subjects (move towards seductive oriented topics when possible)

If the conversational thread dies, you start from scratch. If you get to a good subject, stay there and use the language tools.

Even though you say you aren't ready for his content, I would still recommend it as the go to source for this. You can check Rikers language course out here.
 

Francis

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Thank you @James Cruse @Chad Tyrone and @Toby2030 !!!

- Linking positive emotions to yourself, and negative emotions away from yourself. A good start is pointing/gesturing away from yourself when talking about something negative, and doing the opposite when talking about positive emotions.
Great breakdown - thanks! This part reminded me of this video where he demonstrates this technique.


From Franco, for the lurkers:

Women are hedonists of the emotions. This is a banal example, but imagine if you
were to answer in the following way to a male friend, when he asks what kind of work
you do:

“This is a very exciting and interesting question. Your question shakes me so
deeply. Yes! My job! Every morning I wake up and go, full of joy into a warm subway full
of strangers. I feel happy when I go to the office. Yes. Think that I am a banker. I am a
particular, romantic banker. During the whole day some very exciting papers come
across my desk and I feel myself so important when I participate in the Nation’s destiny.
After all this is a work of extremely social interest and it makes me feel happy. I feel
fulfilled when I take care of all those papers.”

Your male friend will believe that you became crazy or will suspect that you are gay.

Risk of Female State Control

With practice you will notice that women will defend themselves in several ways
against the rising of desire connected with being emotional. One typical way is this:
“I’m going to the bathroom now.”

When she comes back she is colder and more in control. You need to start again to
build rapport and attraction. She did that because she felt she was becoming horny,
while having an emotional exchange with the guy.

As a screening tool:

The other group of LSE women, the LSE LD women - low self-
esteem, low sexual drive - you will be able to recognize
because they will enjoy female talk with you and will change
all what you say into negative.

Like this:
Franco: (long pleasurable descriptions of Paris)

LSE LD woman: "It is too expensive as a town and I hate all
those well dressed women who show off with their expensive
clothes."

Franco: "Hmm ... I feel I have a terrible headache suddenly ...
I think I will go home"

She will cut you off like this and for two reasons:

1. She is scared of sex and your description is arousing her.

2. Her bad self-esteem does give her the permission of
enjoying anything: she feels that she does not deserve Paris
and in general does not deserve good things.

Good: here you have a wonderful "ready made" screening tool
made by Franco to screen out the bad ones very fast.

The more a woman is a good girl, the more she is feminine and
the more she will enjoy your "female talk."

What you will need to do at this point - after you have
aroused her by the female talk - is to take out your masculine
side and start to lead her and her emotions.
 

James Cruse

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Franco's books from around that time also feature this concept heavily. He actually wrote that he couldn't stop laughing while writing some examples because of how ridiculous and even aggrivating it can sound to a man. So it makes sense that guys may find it unnatural and forget about employing it. But he claims it's extremely effective.

Has this technique been lost to time? We're talking two decades now, after all.

I didn’t mention this in the other post, but alot of people may not be aware that Franco’s book referred Sexual Key by J.D. Fuentes.

The version 3 of Sexual Key had only been published less than a year before Franco published his first book.

You can see Franco referring to the Sexual Key method in vague terms (similarly to how Gunwitch does in SMMA) - but Franco had only starting using Sexual Key earlier that year.

Gunwitch brought out SMMA in 2013, which wasn’t long after Sexual Key ver. 3 was published also.

Tyler Durden/Owen Cook read an earlier version of the Sexual Key book (ver. 2, I think) and posted about it in the forums back then commenting how powerful it is.

I saw a recent infield of Owen using really poor Sexual Key in a bar approach, he was rusty. So he clearly still uses the method - it’s curious he never mentions that to anyone.
 
a good date brings a smile to your lips... and hers

PaulieFlyn10

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Thank you @James Cruse @Chad Tyrone and @Toby2030 !!!


Great breakdown - thanks! This part reminded me of this video where he demonstrates this technique.


From Franco, for the lurkers:



Risk of Female State Control



As a screening tool:
Nice breakdown bro. Where did Franco write this.

And you're right about the Female state control thing. It is one of the potential hiccups of emotional female talk language.

But social frame can fix this. Same with Chase article on floors and ceilings

Franco screening technique is good too ... which book is that from?
 

FreeJ

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This is such an interesting subject to me...

...

There's multiple layers to this but the core is creating positive emotions and linking them to you. You can start with some of the basics such as:
- Adding energy and enthusiasm to how you speak
- Using more pacing and pausing in your speech
- Using more adjectives and adverbs in your speech to stimulate their emotions and imagination.
- Move, motion, gesture and accentuate what you are saying in order to be more compelling as a speaker and to get even more attention from your listener or audience
- Embedded commands
- Linking positive emotions to yourself, and negative emotions away from yourself. A good start is pointing/gesturing away from yourself when talking about something negative, and doing the opposite when talking about positive emotions.
and much more

It's just important to make all of this natural in the conversation, otherwise it will be very weird.

Then it's all about moving into topics that benefit seduction. IMO one of the really cool things about Rikers framework.
1. Start on any subject and use the strategies
2 Move towards subjects that are more fun, positive, and interesting
3. Move towards subjects that engage her emotions and imagination in a positive way
4. Move towards romatic, fascinating or seductive subjects (move towards seductive oriented topics when possible)
These are some great points. Honestly, the skill of strongly holding attention in conversation, stimulating positive emotions, and tying it back to you, puts you in a rarified strata of rizz.

Definitely going to be reading up on this.


I didn’t mention this in the other post, but alot of people may not be aware that Franco’s book referred Sexual Key by J.D. Fuentes.

The version 3 of Sexual Key had only been published less than a year before Franco published his first book.

You can see Franco referring to the Sexual Key method in vague terms (similarly to how Gunwitch does in SMMA) - but Franco had only starting using Sexual Key earlier that year.

Gunwitch brought out SMMA in 2013, which wasn’t long after Sexual Key ver. 3 was published also.

Tyler Durden/Owen Cook read an earlier version of the Sexual Key book (ver. 2, I think) and posted about it in the forums back then commenting how powerful it is.

I saw a recent infield of Owen using really poor Sexual Key in a bar approach, he was rusty. So he clearly still uses the method - it’s curious he never mentions that to anyone.
Okay damn this sounds interesting. Got the book now curious to get into it. Thanks for bringing it up!

I have not seen much on this topic, but it seems to be an old school concept, perhaps tangentially related to NLP. It seems @Teevster can get descriptive about sensations in his gambits, so perhaps it is partly inspired by the school of thought. I am not quite ready for Riker.

Basically the idea is to use overly descriptive, flowery language to describe sensations, senses, feelings, etc.

...

Is anyone else here consciously using this?

I must admit, when I think of an archetypical seducer in the classic sense, it is a silver-tongued Don Juan speaking about the sunset, handing a girl a rose he had just picked.
You know, something I've always wondered is how much the words are a memory scaffolding for the guy to have the right facial expressions and melody... as I've talked to many of my female friends about music and they almost all say the lyrics are jack shit compared to the melody. But, even being a musician on the side, it definitely requires my brain to churn if I am going to say something completely new or random with a great melody and facial expressions...

An example would be, if I sing along to "I Feel Good" by James Brown it's effortless, as my brain has it all encoded in memory...
But, if I were to come up with new lyrics on the spot, there's all kinds of effort in pronunciation, syllables, etc that needs to be figured out.
So, somehow I wonder to what extent repetitive language sequences aren't just a memory tool for ourselves like they are in music?
 

Francis

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Franco screening technique is good too ... which book is that from?
Hey man sorry I just saw this randomly through browsing a few threads.

I am pretty sure this one is from Getting the Good Girls.
 

Francis

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I didn’t mention this in the other post, but alot of people may not be aware that Franco’s book referred Sexual Key by J.D. Fuentes.
I don't have SMMA (maybe should, actually...), but can definitely see now Franco's talking about the same thing. I've only made it through a bit of the key book so far, but hopefully it will include the part about the balancing the masculine through escalation (and almost approaching grandmaster style) with what Franco calls the schizophrenic yin/yang method, like very rapidly going back and forth between engaging with her emotionally and leading it forward sexually. Like he switches every couple sentences... very rapid fractionation. Otherwise it's kinda gay lol I think Franco warned don't get too far into it without the balance.

I also wanted to ask... do you use the part about the female emotional motivation? there's the male "mythic pattern" targeting>confronting>struggling>mastering, and the female mythic pattern realizing>accepting>opening>connecting>incorporating

Sounds very abstract and useless, but do you only talk in terms of flowery description to arouse her, or get deeper with this? cause we're really talking a fundamental dichotomy in how we process emotions as genders... for example, talking about a day at the beach... do you just go with the senses, or get really into what meaning that emotion has to her internally, leading to transformative change or whatever. If men like to accomplish, it's tapping into the female driver, which the book seems to be saying is about personal growth, in an internal sense.

I don't know where I would take it exactly... probably getting ahead of myself here. I can see exactly what Franco was saying about these being incredibly aggravating. JD was saying something similar... like men will read these and be like what the fuck man... a bunch of useless data. but it's literally hammering the same emotion and getting it to deepen with each repetition... I find it hard to actually read through the long "purple prose" examples.

But that only shows me how powerful it is, because the overarching point in the book is we have different brain structures as genders (I think it was the thickness of the connection between the brain hemispheres). Meaning we have no idea how strong it feels to girls.

Didn't mean to type so much... the rhythm of the keyboard clacking drew me deeper into a trance of comforting trotting, like a sleek, majestic horse parading elegantly in a procession of regal purpose, drawn deeper into the forward moment of discovery, letting my thoughts slowly warm and bubble like a cauldron of infinite opportunity, rising like a steaming secret uncovered in a thick, warm cloud of hearty aroma, and a hint of sweetness lingering beneath it, tantalizing me with its potential.

So that would turn her on, despite not making much sense?
 

Francis

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Note for @Chase re: MrSex4uNYC and eliciting values... it's mentioned in this book (also similarity, which he mentions in terms of body language mirroring as well)... thought you might find it interesting. Not sure what version I'm reading (I think maybe v3). Looks like v1 was 2002. Guessing there was a lot of loose shared development on forums between guys back in the day.
 

James Cruse

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I'm glad that you're finally coming around to deeper diving into this material @Francis

but can definitely see now Franco's talking about the same thing. I've only made it through a bit of the key book so far, but hopefully it will include the part about the balancing the masculine through escalation (and almost approaching grandmaster style) with what Franco calls the schizophrenic yin/yang method, like very rapidly going back and forth between engaging with her emotionally and leading it forward sexually

Franco literally directly used Sexual Key ver.3 but reworded it and made it abit more simplistic and vague, I suspect so people wouldn't simply abandon his book in favour of just going to read the original material from J.D. Fuentes.

Honestly, Sexual Key just focuses on that one tool and goes deep. I think Franco's book is almost like an epilogue supplemental work to that book - where he took the Sexual Key system, used it method gaining experience and then used that experience to generate some insights for his book. But Franco's book doesn't actually go into that method, he just alludes to using it and it's outline and then assumes you'll use the Sexual key method along with what he discusses in his book.

I also wanted to ask... do you use the part about the female emotional motivation? there's the male "mythic pattern" targeting>confronting>struggling>mastering, and the female mythic pattern realizing>accepting>opening>connecting>incorporating

Yes, both of these are directly taken from J.D. Fuentes' works. I use the male mythic pattern in stories I tell guys and just for general structure with males I work with or male clients/customers.
J.D has a full system for using this with males and with men (and women) in a sales/business capacity aswell.

Sounds very abstract and useless, but do you only talk in terms of flowery description to arouse her, or get deeper with this? cause we're really talking a fundamental dichotomy in how we process emotions as genders... for example, talking about a day at the beach... do you just go with the senses, or get really into what meaning that emotion has to her internally, leading to transformative change or whatever. If men like to accomplish, it's tapping into the female driver, which the book seems to be saying is about personal growth, in an internal sense.

I don't know where I would take it exactly... probably getting ahead of myself here. I can see exactly what Franco was saying about these being incredibly aggravating. JD was saying something similar... like men will read these and be like what the fuck man... a bunch of useless data. but it's literally hammering the same emotion and getting it to deepen with each repetition... I find it hard to actually read through the long "purple prose" examples.

No, I use the language as much as possible in all directions (emotions and senses) for many reasons (not just arousal or personal growth), it goes much further than what you've written here.
I think you are getting ahead of yourself here. Have you actually tried this on any women yet? It doesn't sound like you have, otherwise you would certainly know how useful it is very quickly.

Yes, talking this way to women, I sometimes zone out completely - it could not be more boring to me. I really find myself needing to engage and make it interesting for myself, so I'll add some plot sometimes (even if she doesn't want it or need it), just to keep it interesting for myself, while giving me some structure to riff on.
Same with using anything I find interesting and exploring it with her using that language, that way it engages my own interest aswell.
Women just love being talked to this way, it really doesn't matter what you talk about or the subject - as long as you talk this way.

But that only shows me how powerful it is, because the overarching point in the book is we have different brain structures as genders (I think it was the thickness of the connection between the brain hemispheres). Meaning we have no idea how strong it feels to girls.

Men really do think differently to women, the difference is night and day. After using this method, I realised that really anything logical that I'd ever said (and that any man has ever said to a woman) - it totally bores them. Any normal story structure (which normal plot structure where someone has a problem > overcomes > achieves/conclusion = Masculine method of storytelling.
Women don't give a shit about the hero structure or any plots in stories - that's only for men.


I don't have SMMA (maybe should, actually...), but can definitely see now Franco's talking about the same thing. I've only made it through a bit of the key book so far, but hopefully it will include the part about the balancing the masculine through escalation (and almost approaching grandmaster style) with what Franco calls the schizophrenic yin/yang method, like very rapidly going back and forth between engaging with her emotionally and leading it forward sexually. Like he switches every couple sentences... very rapid fractionation. Otherwise it's kinda gay lol I think Franco warned don't get too far into it without the balance.

I also wanted to ask... do you use the part about the female emotional motivation? there's the male "mythic pattern" targeting>confronting>struggling>mastering, and the female mythic pattern realizing>accepting>opening>connecting>incorporating

Sounds very abstract and useless, but do you only talk in terms of flowery description to arouse her, or get deeper with this? cause we're really talking a fundamental dichotomy in how we process emotions as genders... for example, talking about a day at the beach... do you just go with the senses, or get really into what meaning that emotion has to her internally, leading to transformative change or whatever. If men like to accomplish, it's tapping into the female driver, which the book seems to be saying is about personal growth, in an internal sense.

I don't know where I would take it exactly... probably getting ahead of myself here. I can see exactly what Franco was saying about these being incredibly aggravating. JD was saying something similar... like men will read these and be like what the fuck man... a bunch of useless data. but it's literally hammering the same emotion and getting it to deepen with each repetition... I find it hard to actually read through the long "purple prose" examples.

But that only shows me how powerful it is, because the overarching point in the book is we have different brain structures as genders (I think it was the thickness of the connection between the brain hemispheres). Meaning we have no idea how strong it feels to girls.

Didn't mean to type so much... the rhythm of the keyboard clacking drew me deeper into a trance of comforting trotting, like a sleek, majestic horse parading elegantly in a procession of regal purpose, drawn deeper into the forward moment of discovery, letting my thoughts slowly warm and bubble like a cauldron of infinite opportunity, rising like a steaming secret uncovered in a thick, warm cloud of hearty aroma, and a hint of sweetness lingering beneath it, tantalizing me with its potential.

So that would turn her on, despite not making much sense?

I would go a little harder and denser with emotional content recommended in the book, but otherwise very good.
Women really don't care if anything you say has any logic or sense or has a structure or plot; that's totally irrelevant to them.

Too many guys are trying to be logical, make sense and really say something logically interesting and logically insightful - women don't care or need that and it's mind-numbingly boring to them when there's any logic involved.

Just remember - most guys I see doing this wrong fall into a way of talking like:
  • cause > effect
  • problem > solution
  • setup > conclusion (or beginning > ending)
  • incomplete > completed
  • chaos > order/peace
  • losing > winning
  • incorrect > correct
This is ALL completely masculine; masculine structures and masculine thinking/processing.
You used this setup>conclusion and cause>effect structure in the description above and you probably didn't even realise it because it's so natural for men to think in that pattern in all of their thoughts about everything usually are formed in that structure.

This is where men get caught being logical (and very boring to women): they always get caught trying to fit the way they talk to women in the above structures, which makes what you say to women very restricted and narrow (where men run out of things to say) which is much less fun, exciting or spontaneous and then ultimately isn't interesting or stimulating for her (even though it may be interesting for you).
There's no need to lock yourself into a restrictive corner with those masculine structures - women don't want or need them to enjoy a conversation.

Women almost never see the world or anything that happens to them in that structure, like men do. It makes no sense to women and even if it did, they don't agree with it and it bores them to tears.

and eliciting values... it's mentioned in this book

Eliciting values is over-rated - you can direct women to tell you them without asking her about them like a rapport seeking therapist (like everyone recommends). You're already going in that direction anyway, so you'll rarely need to ask about her values, if ever, because she'll give them to you un-prompted throughout the course of the conversation.


Mirroring is another part of that book that I think is not useful for seduction. It's great for use in therapy, but not in seduction with women.
 
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Brassfaced_Jim

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Yes. Using descriptive and emotional language definitely arouses women. I do it a lot on my Online game , on my dates from those apps and in cold approach also.
Very effective.

works best when a guy meets the ‘bar of fvckability’ to a woman and has his foot in the door. It can swing the door open quite quickly and allow him to get inside much faster yes
 

James Cruse

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Yes. Using descriptive and emotional language definitely arouses women. I do it a lot on my Online game , on my dates from those apps and in cold approach also.
Very effective.

Perfect, I'm glad that they're effective and working for you. You should write detailed field reports about when this happened, especially the cold approaches.

works best when a guy meets the ‘bar of fvckability’ to a woman and has his foot in the door. It can swing the door open quite quickly and allow him to get inside much faster yes

Most guys I've ever coached meet the "bar of fuckability" - which is just "not being ugly".
Where most men get rejected, as I said in another recent reply on this forum is: when they have terrible body langauge.

Alot of men think they're being rejected upfront when they cold approach women because of their physical looks. It's RARELY the reason women reject men so quickly when they approach, from my experience watching guys cold approach, while I'm coaching.
It's usually their very tense, or nervous body language on the approach or after they open - that causes women to reject them quickly. The same thing happens with good looking guys or experienced seduction guys - all body langauge.

That's why even experienced guys need to do a few "throwaway approaches" - to settle and relax their own body language.
The main part of 60 Years of challenge's method in clubs is essentially have micro-momentum, be social and touch women - to relax your own body language naturally BEFORE seducing women.
I do all of this myself to get maximum results - the better and more relaxed my body language = the better the seduction. It's a constant significant part of seduction.

This isn't news to anyone who has experience in seduction - it's all over these forums and discussed quite alot. They call it "Fundamentals" of seduction.
But the same could be said about sales or doing anything client or customer facing for work - great body language is essential to success in that arena aswell. Everything becomes harder or an uphill battle with poor body language.
 

Francis

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Have you actually tried this on any women yet?
Thank you for the reply J.C.! I'm going to aim to give it a shot in person and will come back with a proper reply.

I have yet to lead a girl through a snippet like this where she's transfixed. So far I've only made a point to comment on the emotional content of a girl's story. Like "that must have felt" etc. Or relating back about feeling similar rather than to a concrete aspect.

I've tested minimally over text and it's gone better than expected. I thought she'd think something was wrong with me. I also assume it's way more powerful in person, but I was reminded that romance novels are but words on a page she can run with herself.

***

Girl from "push harder" report (had to redact cause it's interspersed with slightly personal stuff).

Her: Is this a poem? It has a poetic air about it

[...]

Her: Is everything you write poetic? You should take a writing class, it might be your secret calling ✨

***

She didn't fall into engaging with the emotional content, but she immediately started asking more details about me and also qualified herself physically.

Another girl met online a while back I haven't had a chance to meet yet (but am later this week)...

Her: Btw I absolutely adore this word play with you

But that was more like innuendo texting. It seems like the sexual key can definitely use innuendo (book example: glistening golden key sliding in the lock), but I'm not sure yet if it's good to mix sub communication with it, since I see that as "hiding deniable logical content", which seems like a Mich different headspace than being enrapt in arousal.
 

James Cruse

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Thank you for the reply J.C.! I'm going to aim to give it a shot in person and will come back with a proper reply.

Great, do come back and let us know once you've used the language on women in person, it's certainly much more powerful that way.

I've tested minimally over text and it's gone better than expected. I thought she'd think something was wrong with me. I also assume it's way more powerful in person, but I was reminded that romance novels are but words on a page she can run with herself.

I honestly don't use it over text, it needs to be longer to be effective - and that becomes long-winded when done over text.
I use shorter punchier texts that evoke emotions, rather than longer ones.
If you're leaving a voice notes or voicemail, then you can get into the language with more effectiveness because they can longer without being long-winded.
 

famineofcrows

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works best when a guy meets the ‘bar of fvckability’
you just need to up the ante if she thinks you're hideous and would swipe LEFT on you hard!

So if she mentions she's drinking a vodka. Don't say:'

'Oh, nice! I used to drink a lot of that when I live in Poland! Be careful with it! It can convince girls to make some crazy decisions!! :) '

You use emotional language amplified. Like:

'Mmm. There's something about that first sip, isn't there? That sharp, clean bite that just awakens everything. Like spiders exploding across the sky! I love how it doesn't try to hide. It just is. So direct. So honest. You feel it travel down, that little trail of warmth spreading through your chest, like a slow, gentle fire waking up. And suddenly everything feels a little lighter. A little more possible. Like the world just opened up a crack, and you can finally breathe. And in that breath, something shifts. Something ancient and patient, coiled deep in the center of you, begins to unfur. Slowly, like the petals of a flower that only blooms in moonlight '
 
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James Cruse

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'Mmm. There's something about that first sip, isn't there? That sharp, clean bite that just awakens everything. Like spiders exploding across the sky! I love how it doesn't try to hide. It just is. So direct. So honest. You feel it travel down, that little trail of warmth spreading through your chest, like a slow, gentle fire waking up. And suddenly everything feels a little lighter. A little more possible. Like the world just opened up a crack, and you can finally breathe. And in that breath, something shifts. Something ancient and patient, coiled deep in the center of you, begins to unfurl—slowly, like the petals of a flower that only blooms in moonlight '

That's a great description for a novel, but there's zero emotions there.
Have you read the Sexual key book? This is not what it recommended, not what I use that works for me.
 

Brassfaced_Jim

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you just need to up the ante if she thinks you're hideous and would swipe LEFT on you hard!

So if she mentions she's drinking a vodka. Don't say:'

'Oh, nice! I used to drink a lot of that when I live in Poland! Be careful with it! It can convince girls to make some crazy decisions!! :) '

You use emotional language amplified. Like:

'Mmm. There's something about that first sip, isn't there? That sharp, clean bite that just awakens everything. Like spiders exploding across the sky! I love how it doesn't try to hide. It just is. So direct. So honest. You feel it travel down, that little trail of warmth spreading through your chest, like a slow, gentle fire waking up. And suddenly everything feels a little lighter. A little more possible. Like the world just opened up a crack, and you can finally breathe. And in that breath, something shifts. Something ancient and patient, coiled deep in the center of you, begins to unfur. Slowly, like the petals of a flower that only blooms in moonlight '
That’s pretty good FOC.
I’m stealing that . I could make that work. But of course I’m a pretty sexy Mofo 😊 😉 😎
This almost sounds like Zan Perrion stuff ! 😀

You should try text that to a chick see what the feedback is.
 

James Cruse

Cro-Magnon Man
Cro-Magnon Man
Joined
Jun 5, 2020
Messages
289
That’s pretty good FOC.
I’m stealing that . I could make that work. But of course I’m a pretty sexy Mofo 😊 😉 😎
This almost sounds like Zan Perrion stuff ! 😀

You should try text that to a chick see what the feedback is.

As above, it's not Sexual Key and there's no emotions in that.

I thought you said you'd read the book Jim. You must know that's not the method used.
 
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