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- Jan 24, 2021
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Thanks for the detailed reply @Chase, lots to think about here!
Interesting, I kind of assumed that the process of collapse was tightly integrated with the concept of an emerging power taking over from the ashes. But it makes sense, there are very few things that pull together a disfunctional society quite like war.
Wouldn't it be the opposite? If globalization brings countries together under some kind of mutual identity, then the 'other' - the enemy that might come and conquer the weakened civilization - would seem to be more difficult to identify, and therefore the collapse would accelerate, would it not? Unless I suppose the cultural identities failed to integrate, and the proximity and dependence only made the risk clearer.
Definitely difficult to say in my opinion, one wonders whether the lines are drawn more clearly between things other than countries these days.
I'm trying to find the time to study more about the changes occurring in Russia and China (or at least their strategies) lately. China seems to have had something of a shift in the way it wants the world to view it, which could have all kinds of internal effects.
I know there are many repeating times in history where there is a collective 'end of history' illusion. What I think makes this different in some way is the advent of technology and the failure to properly understand its relationship to the human experience. The idea of technological development outpacing the ability for humans to understand it has never happened before and I believe it has caused something of a collective psychological crisis.
For one thing, fields are already so complex that a person could spend more than one lifetime studying everything in it. That makes it very difficult for people to intuit the shifts and changes that will occur as a result of different paths of technological development, and I believe has made people generally very pessimistic about the future, due to this disorientation.
One thing that interests me very much is how art reflects the sort of collective 'psychological state' of a civilization. I've listened to a lot of Sir Roger Scruton's stuff about art and architecture. It made me think about how the ugliness of postmodern art, at least in part, came about as an attempt to integrate technology into the collective psyche - a lot of postmodern art involves taking some utilitarian, mechanical item and attempting to merge it in some way with the human body.
Together with the fact that science fiction, the domain of imagining the future, has become incredibly dystopian, often with themes of a war between 'real people' and either technology itself (as AI) or some technologically weaponized oppressive society.
Not that I think these fears are entirely unfounded, but I don't exactly see what solution there is to creating a perspective on technological development that properly includes its potential positive effects as well.
This is to say nothing about other disturbing aspects of technological development, such as what people will do if machines can do everything, that possibly add to the impact of this on the emergence of a new civilization.
Indeed, as the good book says, there's nothing better than enjoying the fruits of one's labor!
Joseph Tainter makes this point very well in The Collapse of Complex Societies.
He discusses it / expands upon it in this interview as well:
Basically, civilizations can only collapse so long as they have no powerful neighbors nearby who will invade following the collapse (because the citizens giving up on the system won't be willing to give up the system if giving up on it merely means they'll become second class citizens for a powerful nearby uncollapsed civilization).
So when you have a civilization with powerful neighbors, even if that systems is under very heavy strain and the populace is being crushed under it, it cannot collapse, and is forced to keep going, competing with its neighbors, until all the interconnected neighboring systems are so mutually strained they collapse simultaneously.
Interesting, I kind of assumed that the process of collapse was tightly integrated with the concept of an emerging power taking over from the ashes. But it makes sense, there are very few things that pull together a disfunctional society quite like war.
Globalization puts you in a position where you get these zombie societies lurching on, that would probably have already collapsed and begun reorganizing themselves in a non-globalized world, but are forced to keep going because the alternative to continuing appears worse.
Wouldn't it be the opposite? If globalization brings countries together under some kind of mutual identity, then the 'other' - the enemy that might come and conquer the weakened civilization - would seem to be more difficult to identify, and therefore the collapse would accelerate, would it not? Unless I suppose the cultural identities failed to integrate, and the proximity and dependence only made the risk clearer.
That said... I question whether we are really fully globalized to the point of becoming vassals if there's a collapse. If (for instance) the US split into a few smaller countries... like, say, "Patriotstan" in the south and middle and "Equalia" on the coasts... is there really going to be another dominant party coming in and taking those over? I suppose the US did quite effectively turn Europe into a collection of satellite/vassal states following World War II... that might suggest that yes, we are indeed fully globalized at this point.
Definitely difficult to say in my opinion, one wonders whether the lines are drawn more clearly between things other than countries these days.
It's a good question.
With Russia and China, you get what appear to me two very different approaches to both being rising powers and handling the "dying tiger" that is the US. Russia is a lot more chaotic and doesn't seem to have much of a plan. China is far more controlled and has everything planned out more or less for the next 50 years. China, for instance, has effectively banned Western propaganda and moved to reinstate traditional morality at this point... they didn't let either of the Marvel films in last year, including the one Marvel made to try to entrench itself in China (Shang-Chi)... homosexuality is banned on TV and movies, feminism is basically banned, showing one-night stands is banned, they shut down all the pickup artist apps, including a huge Chinese PUA video training app that was turning over $20 million a year, they've banned showing effeminate men, and they told parents to limit kids to an hour of screen time a day and no more than 3 hours of video game per week, and only on the weekends.
The Russian approach seems to be "well, I don't know what's going on in the West, but we are just going to try and chill here until whatever that is stops." The Chinese approach meanwhile seems to be "the West is in active cultural revolution mode, trying to reshape the entire world alongside with itself, and we just want our populace as insulated from Western propaganda as possible."
Is one of those approaches going to end up being superior?
Will China pay a penalty for over-insulating itself, or will it be fine, and still able to handle international projects like belt and road (or end up not needing them, safe in its insular bubble as the outside world falls to pieces)? Will Russia be able to weather the West's collective insanity without it spreading there as well, or will its openness lead to it going down the same path?
Maybe we'll end up with some other force that emerges later on in the century that no one is talking about or considering right now.
It's difficult to predict...
I'm trying to find the time to study more about the changes occurring in Russia and China (or at least their strategies) lately. China seems to have had something of a shift in the way it wants the world to view it, which could have all kinds of internal effects.
Well, as you probably know from Roman history, Rome was at such a point itself, where it viewed itself as the crowning achievement of civilization, and saw itself as more or less an eternal civilization, likely to lead the world forever.
China has gone through phases like this. For a long time the ancient Chinese maps basically said "here is China, here are the mountains, and the deserts, and beyond those there are a few barbarians, then the end of the world."
If I had to guess, other powerful empires at the peaks of their civilizations, and for a time after, have viewed themselves this way.
Basically what seems to follow is a coming-back-down-to-earth period, where the civilization begins to suffer more and more defeats, and grows sort of depressed, as it is forced to face the fact that it is NOT an eternal civilization, and won't get to be on top forever. Then generally there are back and forths, some periods where it seems like it is coming back, some great new leadership comes to the fore promising to renew it, things get better for a while, then it goes back into decline.
I know there are many repeating times in history where there is a collective 'end of history' illusion. What I think makes this different in some way is the advent of technology and the failure to properly understand its relationship to the human experience. The idea of technological development outpacing the ability for humans to understand it has never happened before and I believe it has caused something of a collective psychological crisis.
For one thing, fields are already so complex that a person could spend more than one lifetime studying everything in it. That makes it very difficult for people to intuit the shifts and changes that will occur as a result of different paths of technological development, and I believe has made people generally very pessimistic about the future, due to this disorientation.
One thing that interests me very much is how art reflects the sort of collective 'psychological state' of a civilization. I've listened to a lot of Sir Roger Scruton's stuff about art and architecture. It made me think about how the ugliness of postmodern art, at least in part, came about as an attempt to integrate technology into the collective psyche - a lot of postmodern art involves taking some utilitarian, mechanical item and attempting to merge it in some way with the human body.
Together with the fact that science fiction, the domain of imagining the future, has become incredibly dystopian, often with themes of a war between 'real people' and either technology itself (as AI) or some technologically weaponized oppressive society.
Not that I think these fears are entirely unfounded, but I don't exactly see what solution there is to creating a perspective on technological development that properly includes its potential positive effects as well.
This is to say nothing about other disturbing aspects of technological development, such as what people will do if machines can do everything, that possibly add to the impact of this on the emergence of a new civilization.
A good closing thought!
Yes, that's always the thing: regardless the nature of the world around you, if you improve your own self, and bring along the people you care about, your friends, family, immediate community, etc., then things will generally be improving for you. There are examples of strong communities that survive everything else melting down around them because they keep their own heads, stay on their grind, and avoid getting overly caught up in the goings on of all the other folks who are going nuts elsewhere (Venice is such an example; Rome fell apart but Venice, part of the empire, stayed fine, IIRC). Sometimes these places end up birthing new nations/empires; sometimes they just weather the storm a lot better than most.
Chase
Indeed, as the good book says, there's nothing better than enjoying the fruits of one's labor!