I thought Marty Supreme (2025) was a waste of time, but then I was never entirely sold on the scrawny Chalamet ever since he first appeared on the scene with Hot Summer Nights (2017) and other slop. I didn't see the purpose of telling that story, other than to expound a cautionary tale about the perils of "toxic masculinity" in the character of Marty (and tripe about capitalism blablabla).
The subliminal messaging was also pretty hardcore, with the suggestion at the start when he runs to the storage at the back of the shoe shop with the fat married Jewish girl and she says she's got morning sickness (aka she's pregnant) and he porks her, and then somehow he's supposed to take custody of the kid despite not being the father?
The Return (2024) (about Odysseus' return after The Odyssey), with Ralph Fiennes, was of course an exercise in outlining the evils of men in preclassical Greece, who used to rape women and blablabla. The Gorge (2025) was okay but of course there had to be a super slim Taylor-Joy playing a beer and vodka-guzzling sharpshooter (if you look at the (very few) actual female sharpshooters in history for instance in the USSR they were all big butch dyke types) yaay how realistic! And she's the one who grabs Miles Teller by the neck and so on. Don't even get me started on Roofman (2025)... or Nuremberg (2025), where they had to place a woman (who never existed...) as assistant to the US judge, telling him what to do and giving him approval at the trials. I guess Now You See Me Now You Don't (2025) was ok.
One movie that I watched recently and really liked was Man of Steel (2013). I also watched Batman v. Superman: Dawn of Justice (2016). What I liked most about these movies was that there was a man-to-woman frame between Superman and Lois, as against the frame in the new Superman (2025) movie, where even Superman doesn't hold frame in the relationship with Lois, who is the one pushing him away after he says he loves her. Good Fortune (2025) was funny, but of course Sandra Oh is Keanu Reeves' boss... Frankenstein (2025) was also nice. Hot Fuzz (2007) was hilarious, and not woke.
Despite YT's Critical Drinker's optimistic prognostications about "peak woke," woke is still going strong in TV these days. It can even be worse than full-feature flicks in that space. I was quite sick in Jan/early Feb and succumbed to temptation, watching Tokyo Drift season 1, Dark Matter, and The Agency (most of season 1 before I could take no more). Dark Matter was passable on the woke front. But Tokyo Drift was a veritable piece of trash. The Agency too.
Also note how in The White Lotus no white man can be an alpha boss. In the first season, the only guy who can be a boss is the Hawaiian employee at the resort, and in season two it's the Japanese-British dude who founded a start-up. The white guys are all turds. This is in keeping with the Marxian theorem of white privilege. Modern "prestige" TV is made to satisfy feminist audiences in the West and avoid social media cancellation. At the expense of men, of course. No wonder then that Richard Reeves is warning about never-before-seen levels of teenage male suicide. Boys drift towards the manosphere, which is a domain cut up into fiefdoms lorded over by scammers of various stripes.
What can you watch nowadays? Almost nothing. I'm officially off movies and TV, making an exception for the occasional classic samurai flick with friends. Reading immersive fantasy or sci-fi (that which has not yet been infested with the woke mind virus) before sleep to unwind these days. Let's see if Heat 2, which has been announced, will be worth watching. And Dune 3 (despite Chalamet).