- Joined
- Sep 14, 2013
- Messages
- 1,016
Just got home from a 6 hours bus ride. Sit next to a cute girl who happened to be a dancer.
Started a conversation soon after I sit next to her.
Talked for about 40 mins, then the conversation ended partly because I was tired. she was talking about 70% of the time. But she wasn't making eye contact with me most of the time. Just looked straight ahead and talked.
Then during the afternoon tea break, which was 30 mins.
I sit alone at a booth for about 5-10 mins.
She walked up to me with her food and sit down opposite me.
She seemed warmer, more relaxed and lively than she was on the bus.
I think being on the bus makes people uncomfortable.
We had a fun conversation for about 20 mins. During which, I dropped a sexual innuendo, which she just looked down and didn't respond, so I decided to dial it back down. It wud have been better if we exchanged numbers here, but I hesitated.
We kept talking for about 5 mins after we got back on the bus, then suddenly the bus driver decided to play a movie for us, which has never happened the last 3 years I've been traveling with this bus company. And it ended our conversation.
TWO movies were played, and when the movies finished, I estimated that I have about 20-30 mins left.
After some small talk about the movie, she started to dive deeper herself without me asking.
I related to her awkwardly. Still need to work on this. sometimes I missed an opportunity to relate.
my mouth was getting dry and my voice wasn't that good in the end.
Exchanged number before I had to get off.
But thinking back to a few months ago, I couldn't even start a conversation with a girl on a bus. Now it seems easy. Doesn't really matter what u say to open.
I also just realized even though this girl talked a lot, I never really relate or feedback to her EMOTIONALLY, which was not good. That's why I felt like our connection wasn't as good.
As I got off the bus, saw this really HOT...sorry I mean really cute girl at the bus stop and she was my type! God! I hoped my mum's not here to pick me up yet.
I thought she might be waiting for someone on the bus, but she wasn't
I saw her looking my way as I walked towards her. I checked my fundamentals and made eye contact with her for 2 seconds, but broke it first and slowly walked past her.
I stopped and stood a few meters next to her.
Just as I was about to open her indirect direct with a pretty funny opener.....I saw my mum's car approaching....fk.....
I put my stuff into the back of the car and was disappointed.
This girl kept looking around, which I was sure she was waiting to be opened.
Next time this happened, my mum will just have to wait while I talk to her (soz mum!). Hope our paths cross again....
Now I remembered a quote from Steve Jobs - "Remembering you're going to die one day is the best way to avoid the trap of thinking you have something to lose. You're already naked. No reason to follow your dream"
1. fundamentals - voice - projection, pace, pitch, be passionate(be dynamic and fluctuate so it doesn't mean u constantly shout or constantly talk in a low voice), pause
2. bantering (use humours that relate to her and put her at ease)
/deep-diving (relating and don't jump topics too soon, ask few interesting questions - talk about emotions and motives so don't collect facts from her, provide feedback - keep talking about her and drawing inferences about her in interesting ways) Keep the conversation on her. Don't get hung up on topics.
/ screening-qualifying (need to do it).
3. cold reads - which has a ladder and it gets more intense - target emotion, personality, sexuality
4. sexual frames -set sexual frames -
i. set frames through stories
ii. set the frame by complimenting them so they'll feel like they want to live up to it.
iii. qualify her on the frame you want her in
iv. cold read the frame.
v. The frames that make her look like a sexual creature.
vi. The frames that make you sound sexually interested in her.
vii. The frames that make her look like she wants to fuck you. The more comfortable and relaxed u r, the easier it is to spontaneously let a sexual comment pass through. commanding tonality, introducing sexuality in the forms of push-pull or hypothetical scenarios (what if/have u ever). Physically. Eye contact.
5. flirting - subtlety and implication, wit and chase frames (investment and sexual humour)
6. push-pull
Started a conversation soon after I sit next to her.
Talked for about 40 mins, then the conversation ended partly because I was tired. she was talking about 70% of the time. But she wasn't making eye contact with me most of the time. Just looked straight ahead and talked.
Then during the afternoon tea break, which was 30 mins.
I sit alone at a booth for about 5-10 mins.
She walked up to me with her food and sit down opposite me.
She seemed warmer, more relaxed and lively than she was on the bus.
I think being on the bus makes people uncomfortable.
We had a fun conversation for about 20 mins. During which, I dropped a sexual innuendo, which she just looked down and didn't respond, so I decided to dial it back down. It wud have been better if we exchanged numbers here, but I hesitated.
We kept talking for about 5 mins after we got back on the bus, then suddenly the bus driver decided to play a movie for us, which has never happened the last 3 years I've been traveling with this bus company. And it ended our conversation.
TWO movies were played, and when the movies finished, I estimated that I have about 20-30 mins left.
After some small talk about the movie, she started to dive deeper herself without me asking.
I related to her awkwardly. Still need to work on this. sometimes I missed an opportunity to relate.
my mouth was getting dry and my voice wasn't that good in the end.
Exchanged number before I had to get off.
But thinking back to a few months ago, I couldn't even start a conversation with a girl on a bus. Now it seems easy. Doesn't really matter what u say to open.
I also just realized even though this girl talked a lot, I never really relate or feedback to her EMOTIONALLY, which was not good. That's why I felt like our connection wasn't as good.
As I got off the bus, saw this really HOT...sorry I mean really cute girl at the bus stop and she was my type! God! I hoped my mum's not here to pick me up yet.
I thought she might be waiting for someone on the bus, but she wasn't
I saw her looking my way as I walked towards her. I checked my fundamentals and made eye contact with her for 2 seconds, but broke it first and slowly walked past her.
I stopped and stood a few meters next to her.
Just as I was about to open her indirect direct with a pretty funny opener.....I saw my mum's car approaching....fk.....
I put my stuff into the back of the car and was disappointed.
This girl kept looking around, which I was sure she was waiting to be opened.
Next time this happened, my mum will just have to wait while I talk to her (soz mum!). Hope our paths cross again....
Now I remembered a quote from Steve Jobs - "Remembering you're going to die one day is the best way to avoid the trap of thinking you have something to lose. You're already naked. No reason to follow your dream"
1. fundamentals - voice - projection, pace, pitch, be passionate(be dynamic and fluctuate so it doesn't mean u constantly shout or constantly talk in a low voice), pause
2. bantering (use humours that relate to her and put her at ease)
/deep-diving (relating and don't jump topics too soon, ask few interesting questions - talk about emotions and motives so don't collect facts from her, provide feedback - keep talking about her and drawing inferences about her in interesting ways) Keep the conversation on her. Don't get hung up on topics.
/ screening-qualifying (need to do it).
3. cold reads - which has a ladder and it gets more intense - target emotion, personality, sexuality
4. sexual frames -set sexual frames -
i. set frames through stories
ii. set the frame by complimenting them so they'll feel like they want to live up to it.
iii. qualify her on the frame you want her in
iv. cold read the frame.
v. The frames that make her look like a sexual creature.
vi. The frames that make you sound sexually interested in her.
vii. The frames that make her look like she wants to fuck you. The more comfortable and relaxed u r, the easier it is to spontaneously let a sexual comment pass through. commanding tonality, introducing sexuality in the forms of push-pull or hypothetical scenarios (what if/have u ever). Physically. Eye contact.
5. flirting - subtlety and implication, wit and chase frames (investment and sexual humour)
6. push-pull